
Festival Authors
Meet the Authors
Margot Livesey's first book, a collection of stories called Learning By Heart, was published by Penguin Canada in 1986. Since then Margot has published nine novels: Homework, Criminals, The Missing World, Eva Moves the Furniture, Banishing Verona, The House on Fortune Street, The Flight of Gemma Hardy, Mercury, and The Boy in the Field. Her tenth novel, The Road from Belhaven, will be published in February 2024 by Knopf. The Hidden Machinery, a collection of essays on writing, was published by Tin House Books in 2017. She has taught at Boston University, Bowdoin College, Brandeis University, Carnegie Mellon, Cleveland State, Emerson College, the Iowa Writers’ Workshop, Tufts University, the University of California at Irvine, the Warren Wilson College MFA program for writers, and Williams College. She has been the recipient of fellowships from the Guggenheim Foundation, the N.E.A., the Massachusetts Artists’ Foundation and the Canada Council for the Arts.
Scott Gould is the author of seven books, including The Hammerhead Chronicles, winner of the Eric Hoffer Award for Fiction, and Things That Crash, Things That Fly, which won a 2022 Memoir Prize for Books. His other honors include a Next Generation Indie Book Award, an IPPY Award for Fiction, the Larry Brown Short Story Award and the S.C. Arts Commission Artist Fellowship in Prose. His work has appeared in a number of publications, including Kenyon Review, Crazyhorse, Pithead Chapel, Garden & Gun, and New Stories from the South, among others. He lives in Sans Souci, South Carolina.
Tommy Hays is the author of five novels, including The Marriage Bed, just released by Blair. His other novels are The Pleasure Was Mine (St Martin’s Press), In the Family Way (Random House), Sam’s Crossing (Atheneum) and YA novel What I Came to Tell You (Egmont USA). Inducted into the South Carolina Academy of Authors, Hays was named to the Order of the Long Leaf Pine, the highest civilian honor bestowed by the governor of North Carolina. He’s retired Executive Director of the Great Smokies Writing Program and Lecturer Emeritus at UNC Asheville. He received his BA in English from Furman University and an MFA from the Warren Wilson MFA Program for Writers.
Catherine Carter is the author of four full-length poetry collections with Louisiana State University press, the most recent of which is By Stone and Needle (LSU Press 2025) and two chapbooks with Jacar Press; she is also co-editor and co-translator, with Brian Gastle, of the first full-length verse translation into modern English of John Gower’s 33,000-line Middle English poem The Lover’s Confession (Medieval Institute Publications, 2024). Her work has appeared in Poetry, Orion, Ploughshares, RHINO, Asheville Poetry Review, Tar River Poetry, NCLR, and Best American Poetry 2009, among others. She is a professor at ĢƵ; on a good day, she can re-queen a hive of honeybees and roll a whitewater kayak, and on less-good days, she collects stings, rock-rash, and multiple contusions.
Stacy Jane Grover is a writer from Ohio. Her essays have appeared in Salon, Literary Hub, Autostraddle, Bitch Media, Belt Magazine, and the book anthologies Sweeter Voices Still and The Columbus Anthology from Belt Publishing. Her 2021 essay “The Girl in the Mall” garnered a 2022 Best American Essays notable mention. Her first book, Tar Hollow Trans: Essays was a Finalist for the 2024 Lambda Literary Award in Transgender Nonfiction and a Finalist for the 2024 Weatherford Award for Appalachian Nonfiction. She was recently voted the number #2 author in Columbus, Ohio by readers of Columbus Underground Magazine. She received her MA in Women’s, Gender, and Sexuality Studies from the University of Cincinnati and is a rural Appalachian community college professor of Gender and Sexuality Studies. Her second book of essays is forthcoming.